Genre: Mystery

I’m starting to detest the genre and book descriptor “thriller” or “horror” as it sets an unfair expectation for a twisty, fast-paced, intense reading experience which doesn’t fit many books classified under it. And to be frank, Riley Sager’s Middle of the Night is NOT fast-paced nor intense (by my standards anyway), and even calling it slow burn might be a stretch at times. However, despite the slow pacing for almost 60% of the book (slow even by Riley Sager standards), I still found it to be a rewarding and surprisingly sophisticated read! This is my 3rd Riley Sager novel that I’ve had the pleasure of reading and it’s definitely not one that I would recommend if someone has never read any of his other books before. The pacing is deliberately slow and there’s a decently large ensemble cast of characters to keep track of. Constantly jumping between two time perspectives, the bulk of the story is told from the present day perspective of Ethan Marsh as a grown 40yr old, thirty years after the disappearance of his friend and neighbor Billy. Despite much of the past perspective taking place over the course of a few days and the present…

The Last Murder at the End of the World feels like it should’ve been something directly catered to my taste which is a murder mystery investigation wrapped up in a post-apocalyptic, science fiction (borderline dystopian) dressing. This one is hard to talk without giving away crucial spoilers that would heavily affect the reading experience. The novel had all the right elements and pieces to work with and Stuart Turton had a lot of creative and intriguing concepts included. In an alternate universe with some tweaking, this could’ve been a knockout hit. Unfortunately for me, the novel’s science fiction flavor gets a bit out of hand and is frankly a mess. Numerous unexplained apocalyptic elements weaken what should’ve been a well-done murder investigation story. Set on a protected island where the last survivors of an apocalyptic fog inhabit, the setup for the plot was good. There’s a clear timeline of events dictated by a countdown to extinction that separates each section of the book. The first 40% of the story focused on introducing various villagers on the island, their relationship with three revered scientists, and the dynamics of the island. The book has a long-running metaphor of equating the villagers to…

Reading Ben Aaronovitch’s Rivers of London series is usually a good, but often mildly frustrating time for me as they’re decently fun reads that are so close to being excellent. Book number three, Whispers Under Ground, is unquestionably the most tonally consistent and focused story so far that improves upon all my biggest criticisms of the previous installments. While Midnight Riot/Rivers of London (I’ll be referring to book 1 as Midnight Riot for consistency) and Moon Over Soho suffered from overly loose, meandering plots that attempted to weave together two separate cases, Whispers Under Ground smartly focuses on just one case and allows its dry, tongue-in-cheek British style to be front and center. Despite the improvements across the board, unfortunately I found the core mystery investigation to suffer from inconsistent pacing yet again and the culprit/reveal to be rather random which holds this back from a higher rating. Each novel in the series so far has had an underlying theme that’s tied to the magical crime case and some type of fantasy element/being; Midnight Riot was themed to the theatre while Moon Over Soho was heavily Jazz-focused. Whispers Under London’s thematic flair is the visual fine arts (though one could…

I feel like the synopsis for Kristen Perrin’s How to Solve Your Own Murder does it no favors by comparing itself to Knives Out, Thursday Murder Club, or selling the murder mystery concept in general due to the murder mystery investigation being one of the weakest aspects of the novel for me (more flair and quality is needed to make such a bold claim). As a fan of true crime documentaries and the murder mystery genre, I was excited to read this based on the stellar premise of a character spending their life trying to solve their own murder before it occurs. I was also encouraged to pick this up as it was voted 2nd place for Jimmy Fallon’s upcoming bookclub. Unfortunately the actual execution, attention to details, and pacing left a lot to be desired (1.5 rounded down). From the get-go I was unimpressed with the characterization and dialogue as well as the story’s details. Following an excellently foreboding prologue where Frances receives her grave fortune that kickstarts the titular concept, the book’s pacing and interest lost me. Despite being 366 pages, I felt like I was reading empty pages with little value or importance to either storylines revolving…

After a string of disappointing and underwhelming mystery crime thriller reads picked off of Goodread’s best mystery lists, I picked up Charlie Donlea’s The Girl Who Was Taken on a blind Kindle app recommendation via Amazon’s Prime Reading hoping for something different. And different is what I got. The Girl Who Was Taken reads like a crime documentary reenactment that is colder, calculated, and more developed than many contemporary disappearance novels. The story primarily focuses on two women who work together to solve who is kidnapping young teenage girls across various stateliness and why. Livia Cutty is a forensic pathology student finishing up her fellowship performing daily autopsies whose career choice was inspired by the disappearance and of her younger sister Nicole Cutty. Megan McDonald is an overnight sensation after she miraculously escapes after being held captive in a basement for two weeks and publishes a book summarizing her experience. The twist is that Megan was kidnapped on the same night Nicole went missing, however only Megan was found two weeks later while Nicole is mia. What got my attention from the get-go was how well-researched and meticulous the book is with the details of the investigation and forensic pathology.…