Genre: Romantasy

I will openly admit that I picked this up to read not because of the fantasy-flavored monster romance story, but out of gross curiosity as an env. science reader that enjoys reading about cryptozoology. While I do read romance novels, this is my first monster-themed romance novel and my first read by Lana Ferguson. Part spicy Scottish themed romance part magical realism fantasy tale, Under Loch and Key is an unusual novel that attempts to be a contemporary romance but also a more complex fantasy story involving curses, magic, Scottish folklore, and family secrets. I was pleasantly surprised at the amount of detail and effort put towards the latter elements, going far beyond what I was expecting and required for a straightforward monster romance. When I read Ferguson’s opening dedication “for granting me forgiveness for giving Nessie a penis”, I wasn’t expecting much given her past novels sat comfortably in standard romcom territory. Though I originally thought the Nessie premise would be a simple one-trick pony gimmick with light Scottish flourishes, I was pleasantly surprised by how far Ferguson took the concept and expanded it with proper detailed and compelling lore. Rather than simply giving Nessie Lachlan all the exciting…

Described as an urban fantasy (or rather urban supernatural?) novel with a polyamorous setup between the main characters, I spent the entire first half of the novel baffled at what I was reading and what the book was trying to accomplish. Despite an intriguing synopsis detailing a plot with a demon contract, the occult, and a secret society, all of these seemingly interesting plot elements felt sidelined for character relationships and drama. I had to ask a friend who also read this to see if this would be considered romantasy or rather, romance-supernatural since it kept making bizarre relationship-focused choices that sacrificed time that could’ve been spent on the main plot. That’s fine if a book commits and does a deep dive into that, after all the romance crossover genres are thriving. However, despite spending almost all of its time on its poly relationships, Evocation unfortunately fails to make that focus interesting to read or care about. I will be the first to admit that I am not well-read in the dynamics or structure of polyamorous relationships (watching a few Anthony Padilla interview videos on the matter probably isn’t enough to count). However, my problems and disinterest with the content…

A haunted- or rather “enchanted” house on a private undeveloped island, a mysterious institute tasked with managing said properties in question, a budding and free-spirited writer teaming up with a prim and proper housekeeper; oh and there’s a dangerous magic-stealer on the loose. Charlie Holmberg’s Keeper of Enchanted Rooms has a lot of great elements working for it that should’ve culminated in an enchanted and dreamy experience. Unfortunately for me these pieces weren’t assembled in the most effective manner which made the overall reading experience feel underwhelming and a missed opportunity. With its diverse plot threads, the Keeper of Enchanted Rooms is a lot of things. Taking place in New England in 1846, it’s sort of a historical fiction novel (more on that below) with a fantasy and magical theme. However in actuality, the story is better described as a cozy fantasy of sorts; I’m not sure how to describe it beyond being slow-paced and comfortable. The fantasy elements are beyond magical realism, the romance isn’t strong enough to be considered romantasy yet the magic is not development enough to be pure or hard fantasy. The book feels like it’s intended as an adult novel due to the age of…