Genre: Scottish Literature

In 1902 at 7/7 Marchmont Crescent in Edinburgh, there is a sophisticated, yet elderly tabby cat named Grimalkin who spends his days observing the estate’s owner Mr. Calvert and his devoted maid Eilidah. Full of aches, pains and an itchy patch caused by fleas, one morning Grimalkin takes his last breath and is greeted by the mythical Cat-sith who informs him that as a cat, he has nine lives. Of those nine lives, cats have three lives when they stay, three when they stray, and three when they play. Having spent his first life “staying” and being cared for by Eilidah, Alex Howard’s The Ghost Cat takes the reader along on Grimalkin’s next eight ghostly lives and observational visits at 7/7 Marchmont Crescent and its various occupants over the course of the next one hundred and twenty years. Quietly curious and casually unhurried, The Ghost Cat is a unique historical fiction novel written from the perspective of a senior inquisitive cat that is simultaneously light-hearted while also being thought-provoking. While the title The Ghost Cat and its premise gives the book a fantasy sound at a first glance, the novel is instead almost entirely a historical fiction book with very…

Book #2 in Sara Raasch’s Royals and Romance series, Go Luck Yourself is a fun and highly entertaining romance novel continuing Raasch’s unique blend of royalty woes mixed with holiday shenanigans. Contrary to what I thought was an anthology series due the main character being Coal’s younger brother Kris this time around, Go Luck Yourself is a direct sequel that picks up immediately after the events of The Nightmare Before Kissmas which is a required read in order to understand this book’s plot (I made the mistake of trying to read this book without context and it simply doesn’t work). Although more or less following the same formula as the first book, this one felt more refined, cohesive, and thematically strong paired with outstanding character work (not to mention steamy scenes). Tweaking and addressing many of my previous nitpicks, I thoroughly loved Go Luck Yourself and found it to be an ambitiously crafted and all-around perfect romance novel that can be read at any time of the year. Set a few months after The Nightmare Before Kissmas’s conclusion and shifting the main character to Coal’s younger brother Kris, Go Luck Yourself revolves around his struggle to figure out his place…

The debut novel of A. Rae Dunlap, The Resurrectionist is a well-rounded and cleverly crafted historical fiction story revolving around the field of anatomical study and body-snatching in the early 19th century Edinburgh. Despite the story’s macabre content and its almost gothic-like visuals, The Resurrectionist is anything but depressing or grim and is surprisingly warm and animated (yeah, maybe not my best puns, I apologize). While the visual descriptions of the dead and anatomical parts may potentially be off-putting for squeamish readers, the novel doesn’t unnecessarily dwell on it for shock value and is instead the focus is its entertaining and charming coming of age story. While listed officially as a historical fiction novel, The Resurrectionist is just as much a true crime retelling featuring many very real historic people woven in and around Dunlap’s fictional ones. That being said, absolutely no knowledge of the source material is needed, I recommend not reading into it ahead of time as it may give away some spoilers to the story. In fact I was completely unaware of the novel’s true crime angle for majority of my read and was floored when I discovered the connection near the book’s conclusion and author’s acknowledgements.…

I will openly admit that I picked this up to read not because of the fantasy-flavored monster romance story, but out of gross curiosity as an env. science reader that enjoys reading about cryptozoology. While I do read romance novels, this is my first monster-themed romance novel and my first read by Lana Ferguson. Part spicy Scottish themed romance part magical realism fantasy tale, Under Loch and Key is an unusual novel that attempts to be a contemporary romance but also a more complex fantasy story involving curses, magic, Scottish folklore, and family secrets. I was pleasantly surprised at the amount of detail and effort put towards the latter elements, going far beyond what I was expecting and required for a straightforward monster romance. When I read Ferguson’s opening dedication “for granting me forgiveness for giving Nessie a penis”, I wasn’t expecting much given her past novels sat comfortably in standard romcom territory. Though I originally thought the Nessie premise would be a simple one-trick pony gimmick with light Scottish flourishes, I was pleasantly surprised by how far Ferguson took the concept and expanded it with proper detailed and compelling lore. Rather than simply giving Nessie Lachlan all the exciting…

This is a chaotic novel and not in an exciting bombastic way; rather a mess that feels made up on the fly. Described as a violent and unpredictable noir, the unpredictable part is the only aspect that hit the mark for me (and that’s not a good thing as you soon will see). Perhaps I have high standards as a crime/mystery thriller is one of my favorite genres to read, but the tone of the book didn’t work for me. It jockeys between trying to be a darker grisly man on the run story and a buddy cop/anti-hero slapstick comedy and doesn’t do a particularly good job in either direction. The plot is also nonsensical with things happening with no rhyme or reason and it has a habit of throwing in random flashbacks that derail whatever story is happening in the present instead of seamlessly transitioning back and forth with context. After the first 100 pages or so I stopped reading this as a mystery/crime investigation and as a “what ridiculous things from left field are they going to throw at the wall next”. How a soldier’s training allows a retired veteran to kill someone by impaling them with a…