Novella

After the largely self-contained All Systems Red, the second novella in Martha Well’s Murderbot Diaries series Artificial Condition had a lot to cover within <160 pages. As the sequel in a now extended series, this novella needed to function both as a standalone story as well as a transitional piece for the rest of the series. While it ultimately accomplished both tasks, I personally found Artificial Condition to be slower and less exciting to read compared to All Systems Red (still a great overall read however). While All Systems Red featured functional, albeit limited world-building that was just enough to be functional for its story, Artificial Condition greatly expands on the Murderbot universe and spends most of its first half setting the scene for what’s to come later in the series. This story introduces several new types of bots, expands the scope of the series to other stations and moons, and introduces new characters for the hilariously dry and sarcastic Murderbot to interact with. One of my favorite elements of All Systems Red was Martha Well’s great sense of humor and witty dialogue. Artificial Condition continues the humor and cranks it up a notch with the introduction of ART. Murderbot…

Don’t let the page count and novella length fool you, Martha Wells is a literary wizard for packing so much action and content into All Systems Red’s 150 pages. I kept seeing The Murderbot Diaries popping up in book lists and booktuber recommendations, and winning a Hugo Award certainly helps give it some critical street cred. Despite its short length, I thoroughly enjoyed this and breezed right through in one day. This is a pretty short read so I’ll try and keep this review appropriate short. While many sci-fi works get bogged down with heavy exposition and detailed world-building, All Systems Red doesn’t have the luxury of length and immediately takes off running from the get-go. This novella is pure plot, though surprisingly a bit light in terms of fighting/gunfire action. Despite being called Murderbot, Murderbot isn’t a killing machine (at least on paper) and acts as a defensive security unit for hire. And they’re a weaponized tool that could care less about what happens to their human clients, at least initially. The premise of an indifferent narrator is clever in concept, allowing the book to get away with skirting heavy world-building with an effective mechanism of “I never bothered…

My novella of choice for the obligatory spooky horror read for Halloween, this was an odd read that I have mixed feelings about. It really captures the gothic horror fairytale genre well and feels like a modern reimagining of Edgar Allen Poe’s literary style (in concept only unfortunately). The narrative themes of humanity and what constitutes being alive is interesting, if only the writing quality matched it. The writing is typically quite readable with great visuals but then Khaw forces complex and obscure vocabulary in randomly that derails the literary flow. It’s as if Khaw flipped open a thesaurus and actively tried to find the most obtuse and unheard of word to give the writing a more classical or educated flair (it doesn’t). You can deduce what the random words mean by using context clues and analyzing the sentence structure of the passage, but the fact that you’re able to do that just shows how out of the place the vocabulary is when the rest of the writing is straightforward and simplistic. Not only that, the writing itself suddenly drops the vague attempt at old English about 30-40 pages in which is also a welcome relief since it wasn’t ever…