Genre: Chick Lit

The Seven Year Slip has already been well-received with a following but admittedly it took me a while to get into it (as usual contemporary romance fiction without witty comedy is not my go-to genre). While the listed romance genre is prevalent right from the get-go, about a third of the way into the book, the plot and character development ramps up substantially and crosses over into straight contemporary fiction drama. While the romance and chemistry are good, the Seven Year Slip’s synopsis doesn’t include the more nuanced topics covered in the back half of the book involving grief and loss, one’s goals, “happiness”, losing yourself and understanding that constant changes that are inevitable over time. Our main character Clementine is an ambitious, workaholic publicist working at a small yet successful publishing company who is personally tasked by one of the co-owners to sign an up-and-coming chef James Ashton for a cookbook publishing deal after one of their biggest clients jumps ship to a rival publisher. She throws herself fully into her work 24/7 so there’s no time to have to worry about her recent breakup or the loss of her aunt who she was close to. Just as she’s…

This was short novella was fine and a quick sub-25 minute read. Part of the Amazon’s The Improbable Meet-Cute Series featuring short stores themed around Valentines Day written by popular romance authors, I found With Any Luck to be cute yet inconsequential. 50 pages requires a concise and tidy story which With Any Luck manages by covering only two days worth of plot during Audrey Love’s best male friend’s wedding. At the wedding she unfortunately is greeted by the fiance’s best man who she had a fling with on a previous trip. The novella is essentially an enemies to lovers setup but the short length does the trope no favors. The only way to reverse the animosity is via misunderstandings which I’ve mentioned many times as being one of my pet peeves. This is exemplified by Audrey believing she ruined the wedding when her best friend goes missing the morning of the wedding following a drunken night out she can’t remember. However, the fact that enemies to lovers romantic interest was there during the drunken night and knows exactly what happened to Audrey feels like a cheap gotcha plot twist. The entire conflict could’ve been avoided had he just told…

I’m stuck trying to figure out if I’m getting fatigue from reading three Emily Henry novels in just over a month or if it’s the novel’s character drama that wasn’t for me, but this one didn’t grab my interest and continued to stumble the further it progressed. Focusing a core trio of gal pals consisting of Harriet, Cleo and Sabrina with their plus one’s added over the years, Happy Place takes the fake dating trope and meshes it with a second chance at love at a small town, summer vacation retreat. I suspect it has to do with the plot and concept of the novel, but I found myself inherently less invested in this tight-nit friend group compared to Emily Henry’s other novels that I read which are Book Lovers and Beach Read. Maybe it’s the lack of literary book elements that I loved or the girl-group friends for life theme that doesn’t appeal to me, but I felt like I was quite far from the target demographics of this book. Fake dating is a common and tired trope but Henry is well aware of this and fully commits to putting Harriet and her ex-fiancé Wyn through the ringer which…

If a book is billed as a romance novel but the romance isn’t the most memorable part of the novel, either the romance sucks or the story is so well developed that it punches much higher than typical for its genre. For me Beach Read falls into the latter category with such strong characterization and plot development that the romance sits comfortably in the backseat for most of the ride. There’s certainly a lot of romantic beats and some spicy scenes, but I found myself far more engrossed with both characters’ narratives and how they play off and almost heal from their broken pasts together. The plot is genius pairing off two authors with polar opposite styles and reversing them both in their professional work and in their personal lives. While there’s plenty of hilarious hijinks, Emily Henry’s sarcastic and snappy character banter elevates the material while still keeping the dialogue smart and witty (which I’m learning is the norm after also reading Book Lovers last month). I also thought the leads are both well-developed with elaborate backstories and upbringing and have great chemistry. I often find romance leads to either be too emotionally volatile and dramatic or stereotypically too…

A solid 4.5 that I’m tentatively rounding up as a nod to how well crafted this novel is. The dialogue between the various characters is snappy and the back and forth snark between Nora and Charlie is amazing (while also giving me uncanny valley to how I talk and respond at times). What I love about Book Lovers is it’s realist satirical tone poking fun at the common romance book tropes delivered via Nora’s first-hand expertise as a literary book agent; it’s so refreshing to read how it throws in a common trope and then runs with it as a self-aware joke. While it’s not categorized as a comedy per say, I often found myself chuckling thanks to the witty dialogue and smart humor (+some purposefully cringy business pun names). The last plot sequence in the last 70 pages or so is where the narrative started to stray from my personal taste. I was fully sold for majority of the story but I found Nora’s perspective and character to be a little off-putting. This is entirely a me thing; her character development and internal growth is excellent and relatable for many but is not something I connect or empathize with…