Genre: Retelling

A futuristic scifi, techno hacker speculative fiction, and queer retelling of the Great Gatsby is a concept I never would’ve considered and one that made me do a double take, but in Jay Gatsby’s own words per K.M. Fajardo’s author’s note, “why not”? Fajardo’s debut novel Local Heavens is a brilliantly crafted book that not only is wildly creative but is also a faithfully adapted love letter to F. Scott Fitzgerald’s original story. Modernized for the 21st century with a crazy genre-shift, this interpretation smartly capitalizes on all the best aspects of a retelling without being hindered by the typical drawbacks through careful artistic choices. Featuring beautifully poignant writing, excellent characterizations, and original storylines that work seamlessly with the original framework of events, Local Heavens is an amazing and unique read for both fans of the original book and new ones alike. “Though in this disquiet summer, a summer that pushed us forward into hedonistic apathy, Gatsby was the singular exception, flying over the dust and toils of our world on fire. Beyond that famous, corrupted name, he clung to a vestige of that old cosmic hope I’d readily believed did not exist anymore, his indestructible sincerity blossoming like an…

“Mirror mirror on the wall, give me a tale, creative from them all.” (please excuse the clunky line, I thought it would make a fun opening). Anywho, pitched as an original Snow White-inspired fantasy story, Hemlock & Silver is a novel that’s fun and light-hearted in tone with a very creative plot. While classified as a retelling book, T. Kingfisher’s standalone novel is a retelling only by the loosest criteria due to the fairytale source material used. Rather than reinventing or putting a new spin on the classic tale, Hemlock & Silver is almost an entirely original work that reads like a fantasy mystery story as opposed to a fairytale one. Featuring ambitious concepts, creative narrative allusions to Snow White, not to mention an entertaining and lovable main character, this novel was an unexpectedly great read for me that was only hindered by its meandering and underwhelming start and occasional lag in pacing. Rather than following the typical retelling premise of reinventing its source material with a genre swap, modernization, or flipping the story from a new point of view, Kingfisher’s approach is a bold one that follows an original character, scholarly poison expert Anja who is requested by the…

Part Grimm fairytale retelling, part historical fiction, and finally part original fantasy story revolving around witchcraft, Kell Woods’s debut novel After the Forest is an expansive dark fantasy book with an ambitious narrative to tell. Rather than directly retelling its source material, After the Forest instead follows the difficult life of Greta following her and her brother’s experiences trapped by a witch and her gingerbread house. A tense story filled with distrust and suspicions in a rural village, contrary to its classification as a retelling, Woods’s story is largely an original one that merely uses Hansel and Gretel’s fairytale for contextual framework. Creatively constructed with fitting prose, this book was a case of expecting one thing and getting something entirely different that wasn’t for me but was nonetheless an intriguing read outside of its frequent issues of pacing and unfocused plot. Books classified as retellings tend to follow one of two different scenarios that largely determine how the story will be read. The traditional form of retelling is one that mostly retells the original story with a unique spin, modernization, genre-swap, or similar. The other form uses the base story as a launching point for framework purposes only and uses…

An ambitiously creative and well-rounded sapphic retelling of Swan Lake, A Treachery of Swans by A.B. Poranek is a wonderful low fantasy story featuring a great mix of storylines and elements. While many retellings either struggle with adhering to their source material or end up predictable given their well-known general plots, A Treachery of Swans makes the concept look easy. Gracefully following Swan Lake’s premise faithfully, this book adds a considerable amount of new context, details, and unexpectedly solid new storylines to the iconic tale, all within a PG-rated scope for YA readership. I didn’t have much of an expectation going into this one, but I was pleasantly surprised and consistently thrilled reading this book! As I walk by them, their faces blur together, artificial as theatre masks, lifeless eyes and painted lips and too-sharp teeth glinting as they seethe their congratulations. They think I will be an easy meal, I realize, the Swan Princess of Auvigny, pearlescent and pure-hearted and ripe for their devouring. But they’re wrong… I’m the darkness of cold gutters and merciless nights, the bruised shadows beneath a thief’s desperate eyes. I’m nothing but a lie, a twisted reflection, a black swan. As evident from the…

Foreboding and just slightly unsettling, T. Kingfisher’s What Moves The Dead is an atmospheric modern retelling of Edgar Allen Poe’s famous short story The Fall of the House of Usher. If one is familiar with the literary classic source material, you can roughly follow and know what to expect in this short novella. However, unlike the original short story, T. Kingfisher expands the classic tale with some clever ideas and twists that help this interpretation successfully stand out on its own. Additionally, added character motives, speculative fiction elements, and a bit of fringe science importantly attempt to address the source materials formulaic shortcomings and common criticisms, resulting in a solidly accomplished read that is accessible and not too spooky/disturbing for most readers. Clocking in at around 160 pages, What Moves the Dead is an easy to read novella that’s self-contained and straightforward. However unlike the original story that leaves a lot open to interpretation, T. Kingfisher attempts to fill-in and answer a lot of the unknown factors that Poe never explicitly addressed. A common point of criticism about most horror mansion/estate tales is questioning why the narrator doesn’t leave once they begin to encounter unsettling experiences. She addresses this by…