Publisher: Berkley

I’m stuck trying to figure out if I’m getting fatigue from reading three Emily Henry novels in just over a month or if it’s the novel’s character drama that wasn’t for me, but this one didn’t grab my interest and continued to stumble the further it progressed. Focusing a core trio of gal pals consisting of Harriet, Cleo and Sabrina with their plus one’s added over the years, Happy Place takes the fake dating trope and meshes it with a second chance at love at a small town, summer vacation retreat. I suspect it has to do with the plot and concept of the novel, but I found myself inherently less invested in this tight-nit friend group compared to Emily Henry’s other novels that I read which are Book Lovers and Beach Read. Maybe it’s the lack of literary book elements that I loved or the girl-group friends for life theme that doesn’t appeal to me, but I felt like I was quite far from the target demographics of this book. Fake dating is a common and tired trope but Henry is well aware of this and fully commits to putting Harriet and her ex-fiancé Wyn through the ringer which…

If a book is billed as a romance novel but the romance isn’t the most memorable part of the novel, either the romance sucks or the story is so well developed that it punches much higher than typical for its genre. For me Beach Read falls into the latter category with such strong characterization and plot development that the romance sits comfortably in the backseat for most of the ride. There’s certainly a lot of romantic beats and some spicy scenes, but I found myself far more engrossed with both characters’ narratives and how they play off and almost heal from their broken pasts together. The plot is genius pairing off two authors with polar opposite styles and reversing them both in their professional work and in their personal lives. While there’s plenty of hilarious hijinks, Emily Henry’s sarcastic and snappy character banter elevates the material while still keeping the dialogue smart and witty (which I’m learning is the norm after also reading Book Lovers last month). I also thought the leads are both well-developed with elaborate backstories and upbringing and have great chemistry. I often find romance leads to either be too emotionally volatile and dramatic or stereotypically too…

It would’ve been nice to end 2023 on a high note with my last read for 2023, but unfortunately it was not meant to be with The Sun Down Motel. At a first glance and for the majority of the book, there was nothing inherently wrong with the story. A murder mystery told via a split narrative perspective switching between Viv Delaney in 1982 and her niece Carley Kirk in 2017. Feeling listless after the recent death of her mother, she goes on a spur of the moment trip to Fell, New York. Looking into the great family mystery, Carley retraces Viv’s movements 35 years later in an effort to uncover what led to Viv’s sudden disappearance. Carley finds herself eventually working the night shift at the rundown and empty Sun Down Motel, the same job Viv occupied and happens upon some rather unusual and supernatural entities. Sounds interesting right? Unfortunately, the execution and contents are better suited and were probably written for a Book Club type of genre read. On the plus side, the Sun Down Motel itself (as in the actual building) is described well and is a great setting. I don’t know why the book cover design…

A solid 4.5 that I’m tentatively rounding up as a nod to how well crafted this novel is. The dialogue between the various characters is snappy and the back and forth snark between Nora and Charlie is amazing (while also giving me uncanny valley to how I talk and respond at times). What I love about Book Lovers is it’s realist satirical tone poking fun at the common romance book tropes delivered via Nora’s first-hand expertise as a literary book agent; it’s so refreshing to read how it throws in a common trope and then runs with it as a self-aware joke. While it’s not categorized as a comedy per say, I often found myself chuckling thanks to the witty dialogue and smart humor (+some purposefully cringy business pun names). The last plot sequence in the last 70 pages or so is where the narrative started to stray from my personal taste. I was fully sold for majority of the story but I found Nora’s perspective and character to be a little off-putting. This is entirely a me thing; her character development and internal growth is excellent and relatable for many but is not something I connect or empathize with…