Publisher: Headline Publishing Group

An immersive and ambitious historical fiction story set during the early days of World War II, Maggie Stiefvater’s the Listeners explores the effects the war has on individuals providing hospitality support at the esteemed and legendary hotel Avallon. A complex and nuanced character piece, this book is centered around the temporary housing of Axis-affiliated diplomats in the US. Well-researched, beautifully written, thoughtfully constructed, Stiefvater’s adult novel debut is an impressive and rewarding read, albeit one that is not for everyone given its relatively sparse plot and measured pacing. Unlike others, I somehow missed out on reading Stiefvater’s previous YA series during my extended hiatus from reading, so the Listeners was my blind introduction to her work. From what I have gathered based on what I’ve heard, I think it’s helpful to note that for those a fan of her past books, this one likely reads very differently. Serving as her adult novel debut, this book is a true novel written for adults using more advanced phrasing, subtle character writing, and has themes that require the reader to read between the lines. This is not the type of adult novel popularized by booktok or bookstagram where it’s essentially YA fantasy book simply flavored by added…

This is a chaotic novel and not in an exciting bombastic way; rather a mess that feels made up on the fly. Described as a violent and unpredictable noir, the unpredictable part is the only aspect that hit the mark for me (and that’s not a good thing as you soon will see). Perhaps I have high standards as a crime/mystery thriller is one of my favorite genres to read, but the tone of the book didn’t work for me. It jockeys between trying to be a darker grisly man on the run story and a buddy cop/anti-hero slapstick comedy and doesn’t do a particularly good job in either direction. The plot is also nonsensical with things happening with no rhyme or reason and it has a habit of throwing in random flashbacks that derail whatever story is happening in the present instead of seamlessly transitioning back and forth with context. After the first 100 pages or so I stopped reading this as a mystery/crime investigation and as a “what ridiculous things from left field are they going to throw at the wall next”. How a soldier’s training allows a retired veteran to kill someone by impaling them with a…