LGBTQ+

I knew full well going into it that Ocean Vuong’s On Earth We’re Briefly Gorgeous was not going to play to my preferred tastes and interests at all, but I still wanted to give it a try anyway to expand my reading experiences. Unfortunately my initial impression was right. Despite how much I wanted to like the novel for its earnest, ambitious aspirations and to connect with the powerful content and memories, this was a complete stylistic miss for me. On Earth there were briefly moments that were impactful where I thought I would experience what so many others have loved in Ocean Vuong’s debut novel, but the presentation constantly disappointed me and ruined each moving moment rather than enhancing it. Ordinarily I would and should’ve DNF’d this, but I stuck it out with hopes that it would get better since I was recommended this from a friend; it did slightly to an extent. Divided into three parts loosely based around Little Dog’s childhood, adolescence, and young adult/reflective years, I found the 3rd part to be the most impactful and moving. Focusing on themes of death, mortality, addiction, and familial caregiving, these themes were ones that I could understand and…

The House in the Cerulean Sea has a plot, genre and tone that ordinarily isn’t quite my taste, but T.J. Klune’s execution and lowkey sarcastic humor kept me going. Hopefully optimistic, sweet, and a very comfortable easy read, this is not my typical read but it’s still a novel I don’t regret picking up. The plot is predictable and some extended metaphors and social commentary are a bit on the nose (this has a tone and approach better suited for YA, apart from a few rare adult-natured jokes), but it’s unapologetically warm and has so much mass-appeal. Other reviews describing The House in the Cerulean Sea as a modern fairy tale are quite appropriate. The style of narration told from the perspective of the main character Linus Baker evokes that nostalgic fairy tale feel that’s felt through Klune’s descriptive visuals and dialogue (the house for example screams fantasy fairy tale aesthetic, including the gorgeous interpretation on the cover). While reading this, I could instantly see this being adapted as either an animated or live-action miniseries. Linus Baker is a refreshing, atypical main character aged 40, overweight, uptight, queer, no frills government worker who serves as the perfect foil to the…

Part rom-com part dramedy, Mrs. Nash’s Ashes has a stellar premise on paper that convinced me to pick it up blindly despite this type of romance genre being hit or miss for me. With an opposites attract setup, a long-lost LGBT love from the 1940’s, and a road trip featuring classic rock tunes, Sarah Adler’s Mrs. Nash’s Ashes has a winning combo that grabbed my attention from the get-go. The comedic elements and dialogue are stellar and the back and forth between the emotional and romantic Millie vs the detached and logical Hollis are easily the strongest bits of the novel. Unfortunately, I found the this book was full of missed opportunities to do more with its narrative and the conclusion veering off in an unexpected and disappointing direction. The Miss. Sunshine and Mr. Overcast Grouch is a classic trope for a reason and Mrs. Nash’s Ashes is no exception. I found the witty banter and comedic timing to be spot-on with the best moments involving Millie doing something random or poorly thought out and Hollis reacting in stony disbelief. I liked the chemistry between the two leads, and I enjoyed the story the most when it was just the…

I picked this up off of another Amazon Kindle algorithm suggestion which was a surprisingly specific choice that had me amused. It managed to find a novel that combined my recent reads involving a silly romcom, mysterious dead bodies, British-set narratives, and an M/M LGBTQ+ focal couple. It’s honestly quite an impressive of feat (even though the dead bodies discoveries are more of a plot device to get Ray out of his house, this is decidedly not a murder mystery or investigative story). Reviewing and critiquing Isabel Murray’s Not That Complicated is akin to reviewing and critiquing a risqué reality tv dating show. They’re meant to be simple entertaining affairs full of salacious situations and R-rated spice, not shooting to be the most ambitious or critical experiences. It knows exactly what the assignment was and delivers a flamboyantly over the top, outrageous romcom story managing to get Ray and his youthful love-interest Adam together in multiple steamy scenes. While there’s obviously a lot of bedroom action to be had (not my cup of tea but quite hot, I think?), I found Not That Complicated to consistently be funnier than it needed to be. “You can’t buy me any more than…

Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. A Holiday TV-movie taken straight off ABC family given a queer spin with harder hits and surprisingly solid pacing, in Boy Meets Boy #2 Janovsky takes everything that was good in #1 and refines it. While I enjoyed the first book in the series, I sometimes felt like I was over-scoring it because of how cute and breezy it felt vs directly looking at its objective qualities. This one beefs up all of the weaker elements with better execution. The pacing is better, characters (especially the side characters) are more developed and complex, the overarching plot being more compelling and involved, I was pleasantly surprised given how predictable most holiday fairs can be. There are still the usual tropes of a Grinch warming to the holiday cheer but the plot twists and it’s conclusion help elevate the material beyond simply being cute. It also helps that the comedy is cranked up to an 11 thanks to the protag’s overdramatic spoiled rich boy persona. The first 50 pages of diva material can be off-putting but we love a good…