Genre: Contemporary Fiction

There’s a reason that opposites attract is not only a common trope in media but also one that happens all the time in real life. Emily Henry’s People We Meet On Vacation runs with that theme and successfully pulls off the the deceptively difficult friends to lovers trope effectively. Of all of Emily Henry’s adult romance novel pairings, Poppy and Alex’s chemistry and dynamics might be my personal favorite that feels so natural, effortless, but most importantly, relatable. While People We Meet On Vacation‘s premise is more straightforward and less narratively ambitious compared to her other novels, the tone and vibe of the story is excellent, feeling warm and comforting throughout. Although the pacing and past vacation flashbacks occasionally dragged for me in places and this novel doesn’t hit the same dramatic highs as some of her other works, it’s still a well-rounded and solid read that has a lot going for it. Of the common romance genres meet-cute/progression scenarios, I personally believe that friends to lovers is one of the most difficult scenarios to pull off well due to character growth and tricky chemistry needed to make the shift feel believable. Narratively speaking, there needs to either be a…

The following review is based on a complimentary copy for review purposes provided by Melville House Publishing via Netgalley, thanks for the reviewing opportunity. Part speculative fiction, part Asian American character drama, Jinwoo Chong’s debut novel Flux is an incredibly complex story filled to the brim with incredible character work details. Despite being billed as a science fiction/time-travel associated story, the sci-fi elements largely take a back seat to Chong’s frank and startlingly good exploration of topics including biracial cultural identity, queer labels, the power of image, Asian portrayals in media, and the ever present theme of guilt. A unique blend of genres, this is easily one of the most ambitiously written novels I’ve read this year while simultaneously being one of the most difficult novels to recommend to others due to how tricky and alienating its presentation can be. While I found it to be an amazing and fascinating read, I acknowledge I’m also the exact match for the type of reader this book is clearly suited for; one that is a critical reader fully immersed in the story, reading between lines. One of the primary reasons why I believe Flux has such polarizing reviews is due to the…

The following review is based on a complimentary ARC provided by Sourcebooks Landmark via Netgalley in exchange for an honest review. Part unsolved crime journalism, part familial teenage drama, Julie Clark’s The Ghostwriter is a split perspective thriller featuring storytelling within storytelling. Slow and meticulously paced, this novel follows author Olivia Dumont who is forced to confront her past and her family’s dark history when she accepts a ghostwriting job for her own father Vincent Taylor, a popular and famous author whose life is haunted by accusations that he murdered his two siblings fifty years ago. Featuring a well planned out (and at times tragic) story full of twists and surprises, The Ghostwriter is an engrossing read that transports the reader back to the 1970’s. While subjectively some of the familial drama and teenage sibling quarreling wasn’t my preferred genre or content, I still found Clark’s novel to be well-constructed, complex, and an interesting read. Alternating back and forth between Olivia’s interviews with Vincent retelling events from his youth and the first-person perspective experiences of several characters in the 1970’s, The Ghostwriter has a lot of different plot elements carefully woven together. Despite being recapped out of chronological order and…

The following review is based on a complimentary ARC provided by Atria Books via Netgalley in exchange for an honest review. Smart, insightful, at times hilarious, not to mention ambitiously plotted, The Grand Scheme of Things is a smartly executed novel filled with discussions and critiques of the West End Theatre industry, as well as British society as a whole. Highlighting the unspoken (and nearly as often spoken) prejudice against immigrants and various minority groups, Warona Jay’s debut novel is filled with strong social commentary and feels entirely relevant and shines a spotlight on the unfairness based on one’s upbringing and background. Despite its premise and at times cutting observations, this novel has much more to offer with its story. It’s also a story of young adults discovering their self-worth, confidence, and realizing their own identities. And that is on top of the elaborate web of deception Neledi/Eddie and Hugo spin, and all of the intentional and unintentional effects it has on everyone and everything around them. Admittedly contemporary fiction novels that have multicultural or ethnic themes are not usually my go-to genre, particularly those that include harsh criticisms (sometimes at the cost of the reading experience or characters). However,…

Richard Osman’s series has already been heavily read and reviewed so I won’t be quite as detailed as I usually do since the major points of discussion have already been covered. Despite what the genre and synopsis of the book may imply, The Thursday Murder is as much of a senior citizen themed character drama as it is a murder mystery novel and therefore one must adjust their expectations to its crossover intentions. If reading and reviewing this novel purely as a murder mystery investigation procedural story, The Thursday Murder Club is generally an above average, light-hearted affair that’s quite cozy and easy to pick up (although also just as easy to put down and leave down as it’s a bit slow in places). Taken at face value, the murders reveals and movements are mostly functional, albeit slightly convoluted with certain plot developments coming a bit out of left field. I found it to be fine personally, but too ambitious and twisty for its conclusion to pull the whole case back together. However, The Thursday Murder Club’s strongest element in my opinion is the moments where Osman focuses on the lowkey laughs and allows its senior characters to reflect on…