Genre: Dark Fantasy

Part urban paranormal fantasy, part futuristic dystopia, Samantha Shannon’s The Bone Season is a wildly ambitious novel and a unique series starter that’s full of conflicting elements that on paper should not work. Additionally, it throws the reader into the thick of it with a list of undefined terminology, chaotic world-building, and a whiplash shift in setting three chapters in. Yet despite a rough beginning, those that give the novel a chance will be rewarded with a thrilling and complex dark fantasy story that gets progressively better and better over the course of its nearly 500-page run. Despite being over a decade late to The Bone Season hype train, I was fully invested in its wild ride through Shannon’s futuristically bleak version of London and Oxford. Note, an important disclaimer is that this review is based on a first edition copy of The Bone Season as originally written and published in 2013. Fully aware of the novel’s rougher patches, Samantha Shannon and Bloomsbury released revised editions of the first four books in the series in 2023 for The Bone Season’s 10yr anniversary which bring them more in line with her current matured and more lyrical writing style and refining the…

Necromancers, cavaliers, copious amounts of magic and challenges, oh my! Tamsyn Muir’s debut novel and the start of her Locked Tomb series, on paper Gideon has everything going for it. While featuring many hallmark elements of fantasy epics such as an emperor with numerical houses/factions, pseudo magician + knight pairings, and an unknown challenge for representatives to ascend to the “Lyctor” status, Gideon the Ninth separates itself from the rest of its genre firstly by setting the series not in the traditional fantasy-realm past, but instead in an interstellar futuristic expanse. Secondly, this novel’s reputation featuring “lesbian necromancers” proceeds itself and has that instant hook for booktok and social media recognition (though important to note, while having a wandering queer eye, this is not a romantasy novel). While technically being classified as fantasy and sci-fi, Gideon’s second half functions more as a whodunnit survival thriller meshed with dark academia elements and is very compelling when Muir gets it just right. Unfortunately, despite the ambitious plotting and creative ideas found throughout the story, Gideon the Ninth is held back by a few but very notable flaws with its approach to storytelling as well as its confusingly vague and messy world-building. Additionally,…

The following review is based on a complimentary ARC provided by Amazon Original Stories via Netgalley in exchange for an honest review. The Knight and the Butcherbird is an intriguing dark fantasy short story that tells a brief, yet compelling tale in a modern world where shapeshifting monsters or “demons” roam the forests and wastelands. Narrated by Shrike, the rural community’s seventeen year old historian, the short story follows the arrival of legendary Knight who is summoned to the community to kill a demon that had been seen in the area. The only problem is the demon he’s been summoned to kill is Shrike’s wife May, a fellow villager who slowly transformed into a monster. Skillfully invoking a folklore/grimm fairytale vibe and incorporating dystopian and caste elements, The Knight and the Butcherbird is condensed yet imaginative and makes full use of its limited page counts to tell its satisfying and self-contained story. Featuring the Knight’s story within the overall story, I found the focal plot twist involving the Knight’s secret to be well done, with crucial clues subtlety presented within Shrike’s stories. I previously read Harrow’s full-length novel Starling House and while I had some reservations with its plot and…

Described as an urban fantasy (or rather urban supernatural?) novel with a polyamorous setup between the main characters, I spent the entire first half of the novel baffled at what I was reading and what the book was trying to accomplish. Despite an intriguing synopsis detailing a plot with a demon contract, the occult, and a secret society, all of these seemingly interesting plot elements felt sidelined for character relationships and drama. I had to ask a friend who also read this to see if this would be considered romantasy or rather, romance-supernatural since it kept making bizarre relationship-focused choices that sacrificed time that could’ve been spent on the main plot. That’s fine if a book commits and does a deep dive into that, after all the romance crossover genres are thriving. However, despite spending almost all of its time on its poly relationships, Evocation unfortunately fails to make that focus interesting to read or care about. I will be the first to admit that I am not well-read in the dynamics or structure of polyamorous relationships (watching a few Anthony Padilla interview videos on the matter probably isn’t enough to count). However, my problems and disinterest with the content…

My novella of choice for the obligatory spooky horror read for Halloween, this was an odd read that I have mixed feelings about. It really captures the gothic horror fairytale genre well and feels like a modern reimagining of Edgar Allen Poe’s literary style (in concept only unfortunately). The narrative themes of humanity and what constitutes being alive is interesting, if only the writing quality matched it. The writing is typically quite readable with great visuals but then Khaw forces complex and obscure vocabulary in randomly that derails the literary flow. It’s as if Khaw flipped open a thesaurus and actively tried to find the most obtuse and unheard of word to give the writing a more classical or educated flair (it doesn’t). You can deduce what the random words mean by using context clues and analyzing the sentence structure of the passage, but the fact that you’re able to do that just shows how out of the place the vocabulary is when the rest of the writing is straightforward and simplistic. Not only that, the writing itself suddenly drops the vague attempt at old English about 30-40 pages in which is also a welcome relief since it wasn’t ever…