Genre: Epic Fantasy

An intense African inspired fantasy story, Marvellous Michael Anson’s Firstborn of the Sun is an impressive and commanding traditionally published debut novel. An imaginative and complex power struggle story of magic and action, this book has an expertly crafted plot that’s twisty, full of turmoil, and honors its cultural influences while also being very accessible and compelling. With confident storytelling and distinctively fresh fantasy elements, Firstborn of the Sun is a well-rounded and excellent start to Anson’s planned epic fantasy trilogy. I will be the first to admit that having zero familiarity with Yuruban culture, I had no idea what to expect from this book having received it as part of Goldsboro’s GSFF subscription. However, I am glad to have been exposed to this book as it’s a really solid one! Set in the fictional Continent and Kingdom of Oru that’s governed by a monarchy and Holy Order, Firstborn of the Sun’s strong African roots and inspirations are one of the book’s biggest highlights. A good number of popular high fantasy books tend to be loosely based around European fantasy material that can often feel stale or uninspired, but this book is distinctively different and conceptually very refreshing. As to…

Devoid of mortals, the world of Lightfall is filled with vampires, werewolves, and sorcerers boxed in by dangerous and mysterious beings called the Grays. Despite the familiar setup that would typically be used for an action-packed fantasy warfare story, Ed Crocker’s debut novel is instead a sprawling and imaginative epic fantasy story focused on the political power struggle and socio-economic dynamics within the city of First Light’s walls. Full of extensive world-building, Lightfall is an ambitiously imagined novel that has all the right ideas to be a slow burn fantasy mystery thriller. Unfortunately, the presentation and execution of its ideas didn’t work for me, and I struggled with the book’s pacing and narrative. Easily the most impressive aspect of Lightfall is Crocker’s detailed and complex world-building and lore that for better or for worse, makes up the bulk of the novel’s content. Apart from the initial discovery of the First Lord’s younger son is dead, the book’s story falls into a period of relative lull. Preceding the last hundred years, Lightfall’s world and history is full of conflict that is written in great detail. Covering various topics including the origin of the three main groups of immortals, the mystery and…

The following review is based on a complimentary ARC provided by Forever, an imprint of Grand Central Publishing. A powerful female knight and partner mage, swordplay crossed with magic, and a slow burn childhood friends to lovers arc, V. L. Bovalino’s The Second Death of Locke is a fantasy/romantasy novel that makes the most of all of its appealing narrative elements and ideas. While the fantasy romance/romantasy genre has increasing moved towards romance and smut dressed in fantasy clothing (or lack of, ba dum tss), this novel instead is a true balance of its genres, a very rare epic fantasy romance novel that has the plot and world-building that earns its fantasy classification. Featuring a healthy blend of action, character drama, romance, and magical intrigue, The Second Death of Locke is a great all-arounder that despite serving as the start to Bovalino’s the Hand and the Heart series, has an adequately satisfying ending that can be read on its own. While the romantasy genre originally was a combination of romance storylines set within a fantasy world, the genre has increasingly become associated with steamy romance, smut, and incorporating popular expected tropes. That said, many viral romantasy novels often feel romance…

Entry #2 in Rebecca Yarros’s the Empyrean series similar to my review of Fourth Wing, I’ll be jumping right into my general impressions and skip the usual editorial-style intro and recap since most people are quite familiar with the series one way or another. Dividing into two parts that are roughly equal in page counts, Iron Flame is like a tale of two different reading experiences vastly different from each other. The entire novel covers about half of Violet Sorrengail’s 2nd year at the Basgiath War College, with part 1 following a similar formula to Fourth Wing’s rider academy training arc and part 2 diverging and focusing on the larger political factions and war strategizing across the continent, most similar to Fourth Wing’s late War Games arc and the subsequent events. Interestingly, Iron Flame’s overall direction with its plot, characters and hybrid romantasy genre largely addressed and improved on nearly every point of criticism I mentioned in my past review of Fourth Wing. And while I found Iron Flame’s Part 2 half to range from great to stellar, its opening Part 1 half felt like an endless slog to get through. Although the plot and world-building were substantially more ambitious…

Necromancers, cavaliers, copious amounts of magic and challenges, oh my! Tamsyn Muir’s debut novel and the start of her Locked Tomb series, on paper Gideon has everything going for it. While featuring many hallmark elements of fantasy epics such as an emperor with numerical houses/factions, pseudo magician + knight pairings, and an unknown challenge for representatives to ascend to the “Lyctor” status, Gideon the Ninth separates itself from the rest of its genre firstly by setting the series not in the traditional fantasy-realm past, but instead in an interstellar futuristic expanse. Secondly, this novel’s reputation featuring “lesbian necromancers” proceeds itself and has that instant hook for booktok and social media recognition (though important to note, while having a wandering queer eye, this is not a romantasy novel). While technically being classified as fantasy and sci-fi, Gideon’s second half functions more as a whodunnit survival thriller meshed with dark academia elements and is very compelling when Muir gets it just right. Unfortunately, despite the ambitious plotting and creative ideas found throughout the story, Gideon the Ninth is held back by a few but very notable flaws with its approach to storytelling as well as its confusingly vague and messy world-building. Additionally,…