Genre: Gothic

A love child between the Disney Channel’s Descendants franchise and Universal’s Dark Universe, Susan J. Morris’s paranormal urban fantasy novel revolving around a serial murder mystery. Featuring great atmosphere, a twisty investigation and all the aesthetics of the Gaslamp fantasy sub-genre, this book has a lot of compelling concepts matched with feminist themes given women’s restricted roles of the period. Though I found the book’s story to notably lag from its middle section onward and its ending leaving much to be desired, Strange Beasts is still a fun read, popcorn entertainment read. Whether it be a coincidence of the books I’ve been finding or a burgeoning trend, fantasy and science fiction flavored murder mystery investigations have become one of my favorite sub-genres lately and Strange Beasts more than fits the bill. The book serves as the start of Morris’s Harker & Moriarty series with long-running plotlines in addition to having its own self-contained murder mystery case set in early 20th century Paris. The book juggles two different storylines, one being the mysterious beastly murders of wealthy and powerful Parisian men and the other being Sam’s volatile channeling powers adjacent to Hel’s dysfunctional relationship with her father James Moriarty. The second…

Atmospheric, imaginative, but most importantly emotionally heartfelt, Don’t Let the Forest In is a stunning book that effortlessly mixes genres to tell its tale of teenage fears, longing, and pain. Blending dark fantasy, psychological horror, and romance wrapped up with a literary fiction touch, C.G. Drews’ novel takes the best elements of each genre and connects them to a grounded, character-centric story that’s as compelling as it is nuanced. Despite being classified as a YA book due to its characters’ ages and high school academy setting, this novel is a master class example of delivering a complex and impactful story without dumbing down its content for its intended readers. Ambitiously written, well-plotted, and featuring an ending that is both devastating and open to interpretation, Don’t Let the Forest In is easily one of the most impressive books I’ve read this year. Before breaking down the book’s more technical elements, there’s a few important points worth mentioning for those that are considering reading this book. Are you a sensitive reader that finds triggers upsetting? I’m not mentioning them specifically for spoilers here but do check your triggers as there are some difficult ones included. How about mild body horror and moderate…

In recent years, certain book genres or topics have become marketing fodder material that have taken on a considerably different impression and expectation from what they once were. Take for example “dark academia”. Once known for scholastic themed narratives rich in literature or academic theory, the term is now often associated with common romantasy publishing trends of spice, stories that have geeky main characters, magic research, or worse, any fantasy story that has some loose book or library motif. However, when it comes to Ava Reid’s YA debut novel A Study In Drowning, all of the common booktok/influencer associations of dark academia are thrown out the window. Meticulously crafted, nuanced, unhurried, yet beautiful and poetically written, A Study In Drowning is an impressively crafted story that returns to the “academia” part of the genre. The novel blends fantasy elements, scholarly pursuits, and metaphorical socio-political commentary presented through a light historical fiction lens. While not for everyone due to its notably slow pacing and the plot focusing on literary works vs more common, in-your-face fantasy concepts (not to mention it’s uncomfortable material to read though), I thoroughly loved this novel and found it to be brilliant. “I know you think I…

Necromancers, cavaliers, copious amounts of magic and challenges, oh my! Tamsyn Muir’s debut novel and the start of her Locked Tomb series, on paper Gideon has everything going for it. While featuring many hallmark elements of fantasy epics such as an emperor with numerical houses/factions, pseudo magician + knight pairings, and an unknown challenge for representatives to ascend to the “Lyctor” status, Gideon the Ninth separates itself from the rest of its genre firstly by setting the series not in the traditional fantasy-realm past, but instead in an interstellar futuristic expanse. Secondly, this novel’s reputation featuring “lesbian necromancers” proceeds itself and has that instant hook for booktok and social media recognition (though important to note, while having a wandering queer eye, this is not a romantasy novel). While technically being classified as fantasy and sci-fi, Gideon’s second half functions more as a whodunnit survival thriller meshed with dark academia elements and is very compelling when Muir gets it just right. Unfortunately, despite the ambitious plotting and creative ideas found throughout the story, Gideon the Ninth is held back by a few but very notable flaws with its approach to storytelling as well as its confusingly vague and messy world-building. Additionally,…

A mysterious parasitic ailment, a medical institute that isn’t what it seems, and the occupants of an isolated, frost-covered chateau sets the scene for an incredibly unique, ambitious, yet often confusing and disjointed read. I wholeheartedly agree with many other reviews of Hiron Ennes’s debut novel Leech that describe it as being positively weird (that’s a good thing) and unlike anything else within the horror and science fiction genres. With strong initial horror elements that vary from body, medical, and psychological horror (nothing too graphic, at least by my desensitized standards) to light elements of supernatural and monster horror, there are a lot of conceptually great ideas that make Leech a riveting read, at times. Unfortunately more often than not, the execution of these ideas and the narrative presentation severely drags down the enjoyment and cohesion of the story, resulting in a puzzling reading experience and a feeling of missed opportunity. The success of any parasite is proportional to its harmlessness. Some are intelligent; they avoid detection, allowing their carriers to lead healthy lives until obsolescence. Fewer, in brilliant acts of symbiosis, foster dependence in the host. But too many are loudmouths and fools… most parasites cannot think far enough…