Genre: Low Fantasy

A heist set for a mysterious magical book, a power struggle between state and church, a tense reunion between ex-partners, and legendary beings trapped and abandoned by the God of Thieves, Ruth Frances Long’s The Book of Gold has a lot of interesting concepts to say the least. The start of the Feral Gods trilogy, this book has a lot of narrative content fitted into a sub three-hundred-and-fifty-page book that is part fantasy, part 16th century historical fiction adventure. Though the story has a variety of plotlines that lay the groundwork for the series to expand on, at its core it’s a tense and strained second-chance romance between individuals standing on different sides of the law and state, all in pursuit of otherworldly power. Action and relationship oriented, the Book of Gold is a competently crafted book that despite a sense of mismanaged focus, is still a fun and light entertaining fantasy read. At first glance, the Book of Gold appears to be a simplistic rogue x knight trope applied to a fantasy heist storyline. The book has all the elements one would expect such as an unorthodox assembled ragtag heist team, economic disparity between the nobility and the common…

“Mirror mirror on the wall, give me a tale, creative from them all.” (please excuse the clunky line, I thought it would make a fun opening). Anywho, pitched as an original Snow White-inspired fantasy story, Hemlock & Silver is a novel that’s fun and light-hearted in tone with a very creative plot. While classified as a retelling book, T. Kingfisher’s standalone novel is a retelling only by the loosest criteria due to the fairytale source material used. Rather than reinventing or putting a new spin on the classic tale, Hemlock & Silver is almost an entirely original work that reads like a fantasy mystery story as opposed to a fairytale one. Featuring ambitious concepts, creative narrative allusions to Snow White, not to mention an entertaining and lovable main character, this novel was an unexpectedly great read for me that was only hindered by its meandering and underwhelming start and occasional lag in pacing. Rather than following the typical retelling premise of reinventing its source material with a genre swap, modernization, or flipping the story from a new point of view, Kingfisher’s approach is a bold one that follows an original character, scholarly poison expert Anja who is requested by the…

Ethereal poetry paired with a simple yet elegant fantasy story, Amal El-Mohtar’s novella The River Has Roots is an enchantingly read akin to a modern fairytale. Beautifully written with an air of sophistication, what this novella lacks in world-building detail given the book’s length it makes up with in poetic metaphors that are both dreamy as well as intelligent; notably a long-running comparison of the rules of grammar compared to the powers of magic being both creative and effective. (On Goodreads, a 4.5 star rating rounded down) Presented in a hybrid second- and third-person perspective, the tone of the narration paired with the reflective and introspective nature of El-Mohtar’s tale makes this a noteworthy book unlike anything I’ve read in quite some time. The strategic shifts to second person tense and the whimsical sense of wonder really pulls you into the story as if it’s being told by a bard or philosopher. Besides the well-balanced and beautiful prose, the book is filled with poetic stanzas and clever wordplay riddles that would make an English literature or grammar student thrilled; this novella has brains behind its beauty. As far as the story is concerned, it’s one that is appropriately detailed in…

This review is based on a complimentary Advanced Reader Copy provided by Saturday Books, an imprint of St. Martin’s Press via Netgalley. A fantasy-inspired historical fiction story based around one of Florence’s most tumultuous periods in the 15th century, Isabel Ibañez’s debut adult novel Graceless Heart is a romantasy book full of interesting ideas. It features a resilient and independent female main character in a patriarchal dominated era marked by a political power struggle as well as the flourishing of the arts. Beautifully written and full of Italian flavor, the book’s great potential is unfortunately hindered by its uncertain commitment to what it wants to be and inconsistent pacing. I struggled to stay invested in the somewhat sparse story for most of the read before it devolves into a haphazard third act. Cleverly set within one of the Republic of Florence’s most colorful historical periods, Graceless Heart’s biggest asset and noteworthy element is its homage to the Italian setting and the excitement of the Renaissance era that runs throughout the course of the book. From snippets of Italian phrases to its vibrantly described visuals, from the get-go, the book feels distinctive amongst the numerous romantasy/fantasy romance novels constantly being pushed out.…

Part Grimm fairytale retelling, part historical fiction, and finally part original fantasy story revolving around witchcraft, Kell Woods’s debut novel After the Forest is an expansive dark fantasy book with an ambitious narrative to tell. Rather than directly retelling its source material, After the Forest instead follows the difficult life of Greta following her and her brother’s experiences trapped by a witch and her gingerbread house. A tense story filled with distrust and suspicions in a rural village, contrary to its classification as a retelling, Woods’s story is largely an original one that merely uses Hansel and Gretel’s fairytale for contextual framework. Creatively constructed with fitting prose, this book was a case of expecting one thing and getting something entirely different that wasn’t for me but was nonetheless an intriguing read outside of its frequent issues of pacing and unfocused plot. Books classified as retellings tend to follow one of two different scenarios that largely determine how the story will be read. The traditional form of retelling is one that mostly retells the original story with a unique spin, modernization, genre-swap, or similar. The other form uses the base story as a launching point for framework purposes only and uses…