A queer M/M take on the classic haunted mansion with a historical forbidden love premise, Ben Alderson’s the Haunting of William Thorn is a paranormal romance book that has a lot of great ideas and concepts. Featuring a gothic and eerie setting, a layered multi-generational mystery, and light horror elements that aren’t overly graphic, with its attractive cast of male characters and pining attraction, by all accounts this book should be an appealing and accessible read. Unfortunately, like its hallmark mansion, despite its good bones and a promising start, the execution leaves a lot to be desired across the board and despite giving it my best effort, I struggled to finish this book only to arrive at an eyebrow-raising ending. Set in a rural small-town village of Stonewall, the story follows William Thorn who has been gifted the decrepit Hanbury Manor by his late boyfriend Archie. Not long after arriving, what was meant to be a weeklong stay of isolation is intruded upon by an overly friendly man named Edward who has his own connection to the Hanbury Manor and its past. The book’s strongest element for me was the intrigue behind the manor’s history and presumed death of Robert…
Publisher: Angry Robot
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Described as an urban fantasy (or rather urban supernatural?) novel with a polyamorous setup between the main characters, I spent the entire first half of the novel baffled at what I was reading and what the book was trying to accomplish. Despite an intriguing synopsis detailing a plot with a demon contract, the occult, and a secret society, all of these seemingly interesting plot elements felt sidelined for character relationships and drama. I had to ask a friend who also read this to see if this would be considered romantasy or rather, romance-supernatural since it kept making bizarre relationship-focused choices that sacrificed time that could’ve been spent on the main plot. That’s fine if a book commits and does a deep dive into that, after all the romance crossover genres are thriving. However, despite spending almost all of its time on its poly relationships, Evocation unfortunately fails to make that focus interesting to read or care about. I will be the first to admit that I am not well-read in the dynamics or structure of polyamorous relationships (watching a few Anthony Padilla interview videos on the matter probably isn’t enough to count). However, my problems and disinterest with the content…
