Publisher: HarperCollins

A ghostwriting challenge with a lucrative reward, a windswept and isolated island estate, and seven authors full of writing insecurities and personal baggage. A book revolving around a potential collab to finish a famed late author’s last serial entry, the Ending Writes Itself is itself a collaborative novel by veteran fantasy author V.E. Schwab and scriptwriter Cat Clarke (yes, pun intended). Pitched as a mystery thriller, this story also doubles as a literary/contemporary fiction book filled with strong commentary and discussions about the publishing industry’s flaws and authors’ struggles. As a study on character writing, this novel gets top marks and is conceptually brilliant. But as a mystery thriller for casual readers, the ending perhaps wrote itself too much with some notable narrative flaws and questionable pacing. There are quite a lot of books out there about ghostwriting in the publishing industry and ghostwriting job vetting, but has it ever been crossed with a free‑for‑all challenge turned survival story? The Ending Writes Itself is a book that blends familiar mystery‑thriller beats and connects them to the highs and lows of publishing; more often the lows. Easily the most impressive aspect of this book is its strong commentary on the publishing…

Taking the reader back to the English countryside through the eyes of a seven year old boy, Neil Gaiman’s The Ocean At the End of the Lane is an intriguing short novel that I’ve heard such strong opinions and feelings about. Part pseudo Grimm fairy tale, part dark fantasy escapism, Gaiman’s story reads almost like a fictional memoir as its unnamed adult narrator recalls a dark and strained period of his childhood. Much like how time bends and distorts events based on how they’re remembered, so too does the story as the narrator is faced with magical and otherworldly beings in the quiet English countryside. Perhaps the hype set too high an expectation or my impression of the book’s direction was misguided from the get-go (the plot was not what I was expecting), but I found myself wanting to like this book a lot more than I actually did. Despite finding the ambition respectable, I often felt mildly frustrated with the plot not connecting and was left feeling like it ultimately didn’t amount to much in the end. The presentation and writing was great but the actual content felt too abstract and random to leave much of an impression for…

I was a big fan of the Artemis Fowl series growing up and was interested to see how Eoin Colfer’s adult novels would fare in comparison. At a first glance Highfire reads unlike any of his childrens/YA novels with it’s namesake booze-drinking, adulterating dragon (with as the book would describe, very large balls which can be retracted… yes you read that right), Southern bayou slang, and a host of questionably gray characters. Not only that but the teenage human protag Everett “Squib” could be see as the polar opposite of Artemis Fowl being a school-averse, bayou exploring swamp kid with a history of getting into adolescent trouble. For anyone who has read Colfer’s other works, the colorful language and crude humor can be jarring (I personally found it highly entertaining, you can just imagine Colfer letting loose with giddy excitement with how much crass language and surpassingly violent descriptions are featured). However once the characters are introduced, I could see some of Colfer’s signature strengths and expected elements coming through. While having completely different personalities, Artemis Fowl and Squib share the same element of growing up without a fatherly learning figure and finding it within a older sassy or prickly…

Note: My original review for this book is old and does not meet current review standards. A fully rewritten review is planned.