book review

A solid 4.5 that I’m tentatively rounding up as a nod to how well crafted this novel is. The dialogue between the various characters is snappy and the back and forth snark between Nora and Charlie is amazing (while also giving me uncanny valley to how I talk and respond at times). What I love about Book Lovers is it’s realist satirical tone poking fun at the common romance book tropes delivered via Nora’s first-hand expertise as a literary book agent; it’s so refreshing to read how it throws in a common trope and then runs with it as a self-aware joke. While it’s not categorized as a comedy per say, I often found myself chuckling thanks to the witty dialogue and smart humor (+some purposefully cringy business pun names). The last plot sequence in the last 70 pages or so is where the narrative started to stray from my personal taste. I was fully sold for majority of the story but I found Nora’s perspective and character to be a little off-putting. This is entirely a me thing; her character development and internal growth is excellent and relatable for many but is not something I connect or empathize with…

Am I going soft or slowly becoming a romcom fan? We’ll revisit this another day but here today I loved the The Bodyguard. Right out of the gate Hannah Brooks is a stellar protag that’s hilarious to read. I tend to be critical of romance novels as I often have problems with tone and the internal character voice being gratingly overdramatic, but The Bodyguard had me constantly chuckling and smiling. Hannah is still overdramatic but her self-awareness of how dumb she’s acting coupled with snappy humor keeps things fresh and engaging. The first half reminded me of a hypothetical modern cross between Miss Congeniality and the Proposal (the fish out of water tale of competent and professional woman and the fake dating for family tropes). And that alone would make it a fun yet cliched read. What really sold me on this book is the perfect balance between the focal romance between Hannah and Jack and the overarching plot of the personal protection service and threats made against Jack’s life. I often find romance novels have an uneven emphasis between the two parts or ping pong back and forth abruptly, however this one effortlessly incorporates both. The personal protection bodyguard…

My novella of choice for the obligatory spooky horror read for Halloween, this was an odd read that I have mixed feelings about. It really captures the gothic horror fairytale genre well and feels like a modern reimagining of Edgar Allen Poe’s literary style (in concept only unfortunately). The narrative themes of humanity and what constitutes being alive is interesting, if only the writing quality matched it. The writing is typically quite readable with great visuals but then Khaw forces complex and obscure vocabulary in randomly that derails the literary flow. It’s as if Khaw flipped open a thesaurus and actively tried to find the most obtuse and unheard of word to give the writing a more classical or educated flair (it doesn’t). You can deduce what the random words mean by using context clues and analyzing the sentence structure of the passage, but the fact that you’re able to do that just shows how out of the place the vocabulary is when the rest of the writing is straightforward and simplistic. Not only that, the writing itself suddenly drops the vague attempt at old English about 30-40 pages in which is also a welcome relief since it wasn’t ever…

Not sure if it’s because I’ve watched endless true crime documentaries, procedural dramas like Criminal Minds and Mindhunter, or I just have high standards for the murder mystery genre, but A Flicker in the Dark did not catch or hold my attention. I felt like I was coasting while reading the first 1/3 of the book and the overall reading experience went downhill the farther I progressed through the story. Most of my negative impression can be chalked up to Chloe Davis’s personality and trauma attributed to her upbringing and exposure to the media/local community associated with her Dad’s arrest. I liked the concept of her backstory and how it affected her mindset, career choices, and paranoia, however the execution felt clunky and off-putting. I hate to stereotype novels into specific demographics, but the Chloe’s monologue skewed so heavily toward a female audience I felt like I was being beaten over the head repeatedly for 100 pages about how dangerous and unfair life can be for an independent woman. Her character’s personality and background as a psychologist with a phd also constantly conflicted with the choices she makes and thoughts she has. The book makes an attempt to highlight anxiety…

Tom Hazard has been alive for four hundred and thirty nine years and over the course of history has spent many of them caught up in the past, protecting himself and loved ones from potential harm in the future, all while rarely truly living in the present. How to Stop Time is a unique read that presents the reader vignettes across Tom’s life (sometimes in and out of chronological order) loosely divided between five arcs that each focus on a particular theme and state of his life. While there are a lot of fun cameo appearances by famous historical figures that pop-up in the narrative (my personal favorite is William Shakespeare, I wish I was more cultured to have appreciated other cameos more), most of the bulk content involves Tom in a state of existential crisis. The overall story reminded me a lot of the 2015 movie Age of Adeline in concept while executed in a more introspective manner. While Age of Adeline was firmly focused on a romance drama, How to Stop Time’s romance serves more as a foundation and event pushes Tom to be the person that he is… hundreds of years later. This is first and foremost…