Format: eBook

The following review is based on a complimentary ARC provided by Sourcebooks Landmark via Netgalley in exchange for an honest review. Part unsolved crime journalism, part familial teenage drama, Julie Clark’s The Ghostwriter is a split perspective thriller featuring storytelling within storytelling. Slow and meticulously paced, this novel follows author Olivia Dumont who is forced to confront her past and her family’s dark history when she accepts a ghostwriting job for her own father Vincent Taylor, a popular and famous author whose life is haunted by accusations that he murdered his two siblings fifty years ago. Featuring a well planned out (and at times tragic) story full of twists and surprises, The Ghostwriter is an engrossing read that transports the reader back to the 1970’s. While subjectively some of the familial drama and teenage sibling quarreling wasn’t my preferred genre or content, I still found Clark’s novel to be well-constructed, complex, and an interesting read. Alternating back and forth between Olivia’s interviews with Vincent retelling events from his youth and the first-person perspective experiences of several characters in the 1970’s, The Ghostwriter has a lot of different plot elements carefully woven together. Despite being recapped out of chronological order and…

Entry #3 in Martha Wells’ Murderbot series, Rogue Protocol continues the series’ perfect formula of a great action adventure with snappy and sarcastic humor. While I found the previous entry Artificial Condition to be a bit slow and a tad heavy with its setup, Rogue Protocol felt like a welcome return to All Systems Red’s more ideal balance with a more extensively developed plot that connected back to the series’ loose overall narrative. At this point it goes without saying that the tone and humor of the series is pitched perfect for me and something I don’t really need to spend much time on (I would assume if you’re reading this review you must be familiar with the series or my past reviews unless you’re one of those chaotic and unhinged mid-series readers). Murderbot’s character voice and narration is always a joy, yet somehow Wells manages to one-up herself yet again: There needs to be an error code that means “I received your request but decided to ignore you.” Then there was Asshole Research Transport. ART’s official designation was deep space research vessel. At various points in our relationship, ART had threatened to kill me, watched my favorite shows with…

After the largely self-contained All Systems Red, the second novella in Martha Well’s Murderbot Diaries series Artificial Condition had a lot to cover within <160 pages. As the sequel in a now extended series, this novella needed to function both as a standalone story as well as a transitional piece for the rest of the series. While it ultimately accomplished both tasks, I personally found Artificial Condition to be slower and less exciting to read compared to All Systems Red (still a great overall read however). While All Systems Red featured functional, albeit limited world-building that was just enough to be functional for its story, Artificial Condition greatly expands on the Murderbot universe and spends most of its first half setting the scene for what’s to come later in the series. This story introduces several new types of bots, expands the scope of the series to other stations and moons, and introduces new characters for the hilariously dry and sarcastic Murderbot to interact with. One of my favorite elements of All Systems Red was Martha Well’s great sense of humor and witty dialogue. Artificial Condition continues the humor and cranks it up a notch with the introduction of ART. Murderbot…

The following review is based on a complimentary ARC provided by Atria Books via Netgalley in exchange for an honest review. Smart, insightful, at times hilarious, not to mention ambitiously plotted, The Grand Scheme of Things is a smartly executed novel filled with discussions and critiques of the West End Theatre industry, as well as British society as a whole. Highlighting the unspoken (and nearly as often spoken) prejudice against immigrants and various minority groups, Warona Jay’s debut novel is filled with strong social commentary and feels entirely relevant and shines a spotlight on the unfairness based on one’s upbringing and background. Despite its premise and at times cutting observations, this novel has much more to offer with its story. It’s also a story of young adults discovering their self-worth, confidence, and realizing their own identities. And that is on top of the elaborate web of deception Neledi/Eddie and Hugo spin, and all of the intentional and unintentional effects it has on everyone and everything around them. Admittedly contemporary fiction novels that have multicultural or ethnic themes are not usually my go-to genre, particularly those that include harsh criticisms (sometimes at the cost of the reading experience or characters). However,…

Richard Osman’s series has already been heavily read and reviewed so I won’t be quite as detailed as I usually do since the major points of discussion have already been covered. Despite what the genre and synopsis of the book may imply, The Thursday Murder is as much of a senior citizen themed character drama as it is a murder mystery novel and therefore one must adjust their expectations to its crossover intentions. If reading and reviewing this novel purely as a murder mystery investigation procedural story, The Thursday Murder Club is generally an above average, light-hearted affair that’s quite cozy and easy to pick up (although also just as easy to put down and leave down as it’s a bit slow in places). Taken at face value, the murders reveals and movements are mostly functional, albeit slightly convoluted with certain plot developments coming a bit out of left field. I found it to be fine personally, but too ambitious and twisty for its conclusion to pull the whole case back together. However, The Thursday Murder Club’s strongest element in my opinion is the moments where Osman focuses on the lowkey laughs and allows its senior characters to reflect on…