Format: Paperback

A creatively ambitious novel experienced through an unorthodox and unique presentation, reading Chuck Palahniuk’s Rant: An Oral Biography of Buster Casey is akin to an out-of-control car ride; wild, unpredictable, but not necessarily a good time and a place you want to be. Written as a fictional memoir to the deceased and infamous Buster Casey, the book presents “Rant’s” life through extensive secondhand recollections and stories across the countless people that encountered him over the years. Doing a metaphorical tap dance on the line between cutting literary brilliance and vulgar triggering chaos, Rant… is unlike any other book I’ve read which is a purposely double-edged comment. (On Goodreads, 2.5 stars rounded down) A literary approach most commonly used in non-fiction books, Palahniuk uses the oral history concept in a completely different manner for this fictional story. Rather than the traditional goal of presenting a variety of perspectives to give the reader a greater understanding and overview of a particular event or person, Palahniuk instead uses the approach like that of the unreliable narrator technique taken to an extreme. Incorporating the accounts of over fifty different individuals who crossed paths with Rant at various points in his life, the book presents…

There’s a reason that opposites attract is not only a common trope in media but also one that happens all the time in real life. Emily Henry’s People We Meet On Vacation runs with that theme and successfully pulls off the the deceptively difficult friends to lovers trope effectively. Of all of Emily Henry’s adult romance novel pairings, Poppy and Alex’s chemistry and dynamics might be my personal favorite that feels so natural, effortless, but most importantly, relatable. While People We Meet On Vacation‘s premise is more straightforward and less narratively ambitious compared to her other novels, the tone and vibe of the story is excellent, feeling warm and comforting throughout. Although the pacing and past vacation flashbacks occasionally dragged for me in places and this novel doesn’t hit the same dramatic highs as some of her other works, it’s still a well-rounded and solid read that has a lot going for it. Of the common romance genres meet-cute/progression scenarios, I personally believe that friends to lovers is one of the most difficult scenarios to pull off well due to character growth and tricky chemistry needed to make the shift feel believable. Narratively speaking, there needs to either be a…

Freida McFadden’s Never Lie is a thriller / psychological crime thriller that has a great plot, some wild (and polarizing) twists, and a premise involving found evidence that never gets old (in this case, tape recordings from therapy sessions). On paper, this should be a standout but unfortunately the execution with the details and the prose left a lot to be desired for me. The biggest twist near the conclusion is a great idea that simply conflicts with the rest of the narrative and makes the entire book’s plot unbelievable. Starting off with the good, Never Lie’s setting at a remote manor that also served as a home office for a mysterious psychiatrist was a great setup. The premise involving found audio tapes recorded by Dr. Adrienne Hale and her clients is a narrative concept I love and the snowed-in setup was a great narrative choice to not only trap Tricia and Ethan in the manor, but to also serve as a plausible source for the odd noises due to snowfall. The core crime mystery involving Adrienne’s sudden disappearance a few years ago and reliving her last known days through the tapes and a split narrative was a page-turner; I…

CJ Wray’s (pseudonym for Christine Manby) The Excitements is a textbook case of a publishing firm doing a fantastic job of marketing and writing a synopsis for a book that is considerably more interesting than the actual book itself. The Excitements has a lot of different elements that feels like they’re going in all different directions with little thematic cohesion or planning. Worse, the actual story is bland, consistently underwhelming (when it’s not being comically unrealistic), and overall poorly crafted. I don’t remember how this ended up on my to-read list (perhaps because it features senior female characters, an accidental trend I’ve been on this year), but I certainly am questioning my past choices and do not recommend this one at all, even if you like cozy historical fiction books. Perhaps it partly on my end for reading too far into the synopsis, but I truly feel like I was betrayed by The Excitement’s marketing that summarizes “Scandal and crime… veterans intend to settle scores, avenge lost friends, and pull off one last daring heist before the curtain finally comes down on their illustrious careers”. To be frank, the “scandals” and “crimes” are used very loosely here, with the scandal…

I knew full well going into it that Ocean Vuong’s On Earth We’re Briefly Gorgeous was not going to play to my preferred tastes and interests at all, but I still wanted to give it a try anyway to expand my reading experiences. Unfortunately my initial impression was right. Despite how much I wanted to like the novel for its earnest, ambitious aspirations and to connect with the powerful content and memories, this was a complete stylistic miss for me. On Earth there were briefly moments that were impactful where I thought I would experience what so many others have loved in Ocean Vuong’s debut novel, but the presentation constantly disappointed me and ruined each moving moment rather than enhancing it. Ordinarily I would and should’ve DNF’d this, but I stuck it out with hopes that it would get better since I was recommended this from a friend; it did slightly to an extent. Divided into three parts loosely based around Little Dog’s childhood, adolescence, and young adult/reflective years, I found the 3rd part to be the most impactful and moving. Focusing on themes of death, mortality, addiction, and familial caregiving, these themes were ones that I could understand and…