Genre: Domestic Thriller

This review is based on a complimentary Advanced Reader Copy provided by St. Martin’s Press. Love, guilt, judgement, and paranoia, all within the four walls that may or may not be alive and angry, You Did Nothing Wrong is psychological thriller and explores Elodie’s twisted descent into madness. C.G. Drews’s adult novel debut, rather than simply serving as a straightforward haunted house narrative, this book instead is a horror story of an entirely different monster. Compared to Drews’s past books that had a more paranormal and fantasy angle to their stories, You Did Nothing Wrong instead plays off the monsters in our head and the horrifying ways love and devotion can spiral into something dark and unrecognizable. While featuring Drews’s signature macabre metaphors and stylistic prose, this book is very different from past YA books for those that enjoyed their past books. Marketed as a pulse-pounding and clever take on the haunted house novel, I went into this book expecting something along the lines of Drews’s past books that mixed elements of paranormal horror with fantasy flair. As a strong cautionary disclaimer upfront, You Did Nothing Wrong is very different and was not at all what I was expecting. While…

Like my reviews for other very well-known books and authors, I’m going to skip the usual introduction and pre-amble and get right into my impression and thoughts on Verity. Colleen Hoover is probably one of the most polarizing authors with such big-name recognition that I felt the need to try at least one of her books, picking Verity as the one that had the best match for my reading genre preference. Yet despite that, my feelings while reading Verity ranged from utter bafflement, to eye-rolling embarrassment, to irritation, and finally shock, but not in the way the novel hopes it to be. One of my earliest notes while reading this novel was “Verity reads like the literary equivalent to Stranger Danger, and I don’t like this at all.” Whether it was an early sign or not, the overall vibe of the novel just felt uncomfortably questionable which is something I very rarely experience, even extensively reading horror and serial-killer murder mystery works. I’ve read and watched a lot of dark series that explore the depths and shadows of the human mind so I had no problems with Verity‘s content on paper, but the tone and vibe felt all wrong. Paired…

Freida McFadden’s Never Lie is a thriller / psychological crime thriller that has a great plot, some wild (and polarizing) twists, and a premise involving found evidence that never gets old (in this case, tape recordings from therapy sessions). On paper, this should be a standout but unfortunately the execution with the details and the prose left a lot to be desired for me. The biggest twist near the conclusion is a great idea that simply conflicts with the rest of the narrative and makes the entire book’s plot unbelievable. Starting off with the good, Never Lie’s setting at a remote manor that also served as a home office for a mysterious psychiatrist was a great setup. The premise involving found audio tapes recorded by Dr. Adrienne Hale and her clients is a narrative concept I love and the snowed-in setup was a great narrative choice to not only trap Tricia and Ethan in the manor, but to also serve as a plausible source for the odd noises due to snowfall. The core crime mystery involving Adrienne’s sudden disappearance a few years ago and reliving her last known days through the tapes and a split narrative was a page-turner; I…

Not sure if it’s because I’ve watched endless true crime documentaries, procedural dramas like Criminal Minds and Mindhunter, or I just have high standards for the murder mystery genre, but A Flicker in the Dark did not catch or hold my attention. I felt like I was coasting while reading the first 1/3 of the book and the overall reading experience went downhill the farther I progressed through the story. Most of my negative impression can be chalked up to Chloe Davis’s personality and trauma attributed to her upbringing and exposure to the media/local community associated with her Dad’s arrest. I liked the concept of her backstory and how it affected her mindset, career choices, and paranoia, however the execution felt clunky and off-putting. I hate to stereotype novels into specific demographics, but the Chloe’s monologue skewed so heavily toward a female audience I felt like I was being beaten over the head repeatedly for 100 pages about how dangerous and unfair life can be for an independent woman. Her character’s personality and background as a psychologist with a phd also constantly conflicted with the choices she makes and thoughts she has. The book makes an attempt to highlight anxiety…