Genre: Mystery Thriller

Freida McFadden’s Never Lie is a thriller / psychological crime thriller that has a great plot, some wild (and polarizing) twists, and a premise involving found evidence that never gets old (in this case, tape recordings from therapy sessions). On paper, this should be a standout but unfortunately the execution with the details and the prose left a lot to be desired for me. The biggest twist near the conclusion is a great idea that simply conflicts with the rest of the narrative and makes the entire book’s plot unbelievable. Starting off with the good, Never Lie’s setting at a remote manor that also served as a home office for a mysterious psychiatrist was a great setup. The premise involving found audio tapes recorded by Dr. Adrienne Hale and her clients is a narrative concept I love and the snowed-in setup was a great narrative choice to not only trap Tricia and Ethan in the manor, but to also serve as a plausible source for the odd noises due to snowfall. The core crime mystery involving Adrienne’s sudden disappearance a few years ago and reliving her last known days through the tapes and a split narrative was a page-turner; I…

CJ Wray’s (pseudonym for Christine Manby) The Excitements is a textbook case of a publishing firm doing a fantastic job of marketing and writing a synopsis for a book that is considerably more interesting than the actual book itself. The Excitements has a lot of different elements that feels like they’re going in all different directions with little thematic cohesion or planning. Worse, the actual story is bland, consistently underwhelming (when it’s not being comically unrealistic), and overall poorly crafted. I don’t remember how this ended up on my to-read list (perhaps because it features senior female characters, an accidental trend I’ve been on this year), but I certainly am questioning my past choices and do not recommend this one at all, even if you like cozy historical fiction books. Perhaps it partly on my end for reading too far into the synopsis, but I truly feel like I was betrayed by The Excitement’s marketing that summarizes “Scandal and crime… veterans intend to settle scores, avenge lost friends, and pull off one last daring heist before the curtain finally comes down on their illustrious careers”. To be frank, the “scandals” and “crimes” are used very loosely here, with the scandal…

Bury Your Gays’ title alone is one way to get someone’s attention followed by an earnest bit of social commentary on media culture wrapped up in a comedically ridiculous premise. Sub 300 pages complimented by a casual and functional prose, Chuck Tingle’s Bury Your Gays is a light campy horror novel that is easy to like and has a lot of things going on. With bits of body violence/gore, homophobia, and child neglect, it’s not always a rosy read, but it’s still quick and generally light-hearted. Despite appreciating its aspirations and blend of different elements, I personally found it to be a bit dry to read and disjointed in content. It’s certainly ambitious with its themes and plot, but it feels like it was trying to do too much without excelling at any one area. An established screenwriter known for campy horror movies/tv-shows with underlying queer elements, the narrative switches back and forth between the present day in LA vs Misha’s memories of his upbringing. Without giving away too many spoilers, these flashbacks are told out of chronological order and are meant to give the reader insight into how Misha’s interest in storytelling was shaped by a tumultuous childhood where…

I’m starting to detest the genre and book descriptor “thriller” or “horror” as it sets an unfair expectation for a twisty, fast-paced, intense reading experience which doesn’t fit many books classified under it. And to be frank, Riley Sager’s Middle of the Night is NOT fast-paced nor intense (by my standards anyway), and even calling it slow burn might be a stretch at times. However, despite the slow pacing for almost 60% of the book (slow even by Riley Sager standards), I still found it to be a rewarding and surprisingly sophisticated read! This is my 3rd Riley Sager novel that I’ve had the pleasure of reading and it’s definitely not one that I would recommend if someone has never read any of his other books before. The pacing is deliberately slow and there’s a decently large ensemble cast of characters to keep track of. Constantly jumping between two time perspectives, the bulk of the story is told from the present day perspective of Ethan Marsh as a grown 40yr old, thirty years after the disappearance of his friend and neighbor Billy. Despite much of the past perspective taking place over the course of a few days and the present…

The Last Murder at the End of the World feels like it should’ve been something directly catered to my taste which is a murder mystery investigation wrapped up in a post-apocalyptic, science fiction (borderline dystopian) dressing. This one is hard to talk without giving away crucial spoilers that would heavily affect the reading experience. The novel had all the right elements and pieces to work with and Stuart Turton had a lot of creative and intriguing concepts included. In an alternate universe with some tweaking, this could’ve been a knockout hit. Unfortunately for me, the novel’s science fiction flavor gets a bit out of hand and is frankly a mess. Numerous unexplained apocalyptic elements weaken what should’ve been a well-done murder investigation story. Set on a protected island where the last survivors of an apocalyptic fog inhabit, the setup for the plot was good. There’s a clear timeline of events dictated by a countdown to extinction that separates each section of the book. The first 40% of the story focused on introducing various villagers on the island, their relationship with three revered scientists, and the dynamics of the island. The book has a long-running metaphor of equating the villagers to…