Genre: Thriller

Entry #4 in Martha Well’s Murderbot Diaries series, by this point you’re likely a devoted fan of the series and should have a pretty good idea of what to expect; Murderbot’s sarcastically dry and witty humor, a healthy balance of thriller and political scheming plot, and good ol’ high sci-fi goodness. While the abbreviated novella format continues to limit the amount of worldbuilding and concurrent storylines Wells can run with simultaneously, Exit Strategy is by far the most serialized story yet and one of the most cohesive. Referencing and tying together all of the first three novella’s narratives, Exit Strategy is easily the most balanced entry that finds a happy medium between Artificial Condition’s undercover stealth movements and Rogue Protocol’s more action thriller flavor. Additionally, this novella also utilizes every narrative plot thread featured in the past three stories, filling in the previous gaps and question marks Murderbot and the reader experiences as the scope of the series and bigger picture takes to shape. Exit Strategy’s story feels like a direct sequel to the first novella All Systems Red while the other two novella’s stories add context and larger ramifications for Dr. Mensah and Murderbot’s ongoing survival. However, with only…

Like my reviews for other very well-known books and authors, I’m going to skip the usual introduction and pre-amble and get right into my impression and thoughts on Verity. Colleen Hoover is probably one of the most polarizing authors with such big-name recognition that I felt the need to try at least one of her books, picking Verity as the one that had the best match for my reading genre preference. Yet despite that, my feelings while reading Verity ranged from utter bafflement, to eye-rolling embarrassment, to irritation, and finally shock, but not in the way the novel hopes it to be. One of my earliest notes while reading this novel was “Verity reads like the literary equivalent to Stranger Danger, and I don’t like this at all.” Whether it was an early sign or not, the overall vibe of the novel just felt uncomfortably questionable which is something I very rarely experience, even extensively reading horror and serial-killer murder mystery works. I’ve read and watched a lot of dark series that explore the depths and shadows of the human mind so I had no problems with Verity‘s content on paper, but the tone and vibe felt all wrong. Paired…

The following review is based on a complimentary ARC provided by Amazon Original Stories via Netgalley in exchange for an honest review. Eleven Numbers is a loosely government political/espionage themed thriller involving mathematics and system passwords. Mathematics professor Nathan Tyler is recruited by the US Government to gain access to Russia’s weaponry system protected by encryption designed by a famed (and fictional for the story) Russian mathematician. Consisting of two layers of passcodes, one that has eleven possible numerical options, Tyler is tasked with determining which is the key. Best known for his long-running Jack Reacher series, Lee Child is a veteran of crime thrillers and this short story has good pacing and is engaging to read. As a mathematician and an unorthodox character for a crime thriller, Eleven Numbers obviously lacks the action compared to Child’s other works but makes up for it with unexpected twists and more dialogue-focused “action”. One prominent plot twist flips the whole story on its head and made me want to go back and re-read the 2nd half of the short story to check for earlier signs of the surprise. While the the mathematics angle is unique, I personally felt like the overall premise…

What if you stumble across odd coincidences between seemingly unrelated incidents and your brain starts working overtime in the background to try to make sense of these odd occurrences? Random connections abound, that is the concept and world of Terry Miles’s novel Rabbits. Taking place in a realistically and authentically portrayed version of Seattle, Rabbits explores a mysterious hush hush game played in real-time that involves players following strange connections and coincidences that shape and alter the world and reality around them. A self-contained story taking place within the world of a 2017 pseudo-documentary podcast of the same name, no knowledge of the podcast is required to read and understand the novel, though it certainly enhances the read. Conceptually great and full of details and references that will make any internet junkie or video-game geek jump with glee (sorry the pun was too tempting), its actual execution is a bit of a mixed bag and one that many readers may find frustrating or disappointing to read. This is one of those novels that I appreciated the ambition and ideas while finding the actual reading experience less enjoyable. Easily the biggest highlight and strongest element of Rabbits is Terry Miles’s attention…

Continuing my reading journey through Riley Sager’s novels (completely out of order I may add), Final Girls is Sager’s first published thriller though technically not his first written novel as Sager is a nom de plume for Todd Ritter who had previously written a trilogy series and standalone book. The final girl is a common trope in various forms of slasher/horror media but Sager’s novel is an uncommon story that focuses on what happens to that said final girl after they experience one of the most traumatic moments of their life. Final Girls answers that question with Quincy Carpenter, a baking blogger who has put that traumatic event behind her until another mass slaying survivor Sam arrives at her apartment building’s front door. This is my fourth Sager thriller novel that I’ve read and despite it being published years before the other Sager novels, it showcases very similar hallmarks to what people have come to expect from his stories. Unfortunately this novel also has the same drawback as his other works, namely a slow beginning and a well-written, albeit uneventful first half. However like his other works, the strong and intelligent female main characters, twists on familiar narratives and scenarios,…