Genre: Thriller

The following review is based on a complimentary ARC provided by Sourcebooks Landmark via Netgalley in exchange for an honest review. Part unsolved crime journalism, part familial teenage drama, Julie Clark’s The Ghostwriter is a split perspective thriller featuring storytelling within storytelling. Slow and meticulously paced, this novel follows author Olivia Dumont who is forced to confront her past and her family’s dark history when she accepts a ghostwriting job for her own father Vincent Taylor, a popular and famous author whose life is haunted by accusations that he murdered his two siblings fifty years ago. Featuring a well planned out (and at times tragic) story full of twists and surprises, The Ghostwriter is an engrossing read that transports the reader back to the 1970’s. While subjectively some of the familial drama and teenage sibling quarreling wasn’t my preferred genre or content, I still found Clark’s novel to be well-constructed, complex, and an interesting read. Alternating back and forth between Olivia’s interviews with Vincent retelling events from his youth and the first-person perspective experiences of several characters in the 1970’s, The Ghostwriter has a lot of different plot elements carefully woven together. Despite being recapped out of chronological order and…

The second entry in T. Kingfisher’s Sworn Soldier series, What Feasts At Night is another atmospheric novella that prioritizes its foreboding tone paired with its vaguely historic 19th century setting. Unlike What Moves the Dead which was a modern retelling of the classic short poem the Fall of the House of Usher, What Feasts At Night is an original story set in the overgrown woods of the fictional country of Gallacia involving a local superstition in the area affecting Alex Easton’s inherited hunting lodge. While the general tone is carried over from the first novella, the actual plot felt considerably slower paced and lacked the tense buildup that I previously reviewed and appreciated. The “horror” elements were also quite brief and left me a bit underwhelmed despite the appropriately balanced prose and Easton’s signature sarcastic soldier humor. Carrying over majority of Kingfisher’s original cast characters outside of Edgar Allen Poe’s (with the exception of Dr. Denton who is apparently featured as a main character in the upcoming 3rd novella due to be published next year), What Feasts At Night benefits from all of the exposition and Gallacia world-building that was previously introduced in the first book. I had previously critiqued how the first book’s start felt too slow due…

Entry #3 in Martha Wells’ Murderbot series, Rogue Protocol continues the series’ perfect formula of a great action adventure with snappy and sarcastic humor. While I found the previous entry Artificial Condition to be a bit slow and a tad heavy with its setup, Rogue Protocol felt like a welcome return to All Systems Red’s more ideal balance with a more extensively developed plot that connected back to the series’ loose overall narrative. At this point it goes without saying that the tone and humor of the series is pitched perfect for me and something I don’t really need to spend much time on (I would assume if you’re reading this review you must be familiar with the series or my past reviews unless you’re one of those chaotic and unhinged mid-series readers). Murderbot’s character voice and narration is always a joy, yet somehow Wells manages to one-up herself yet again: There needs to be an error code that means “I received your request but decided to ignore you.” Then there was Asshole Research Transport. ART’s official designation was deep space research vessel. At various points in our relationship, ART had threatened to kill me, watched my favorite shows with…

Foreboding and just slightly unsettling, T. Kingfisher’s What Moves The Dead is an atmospheric modern retelling of Edgar Allen Poe’s famous short story The Fall of the House of Usher. If one is familiar with the literary classic source material, you can roughly follow and know what to expect in this short novella. However, unlike the original short story, T. Kingfisher expands the classic tale with some clever ideas and twists that help this interpretation successfully stand out on its own. Additionally, added character motives, speculative fiction elements, and a bit of fringe science importantly attempt to address the source materials formulaic shortcomings and common criticisms, resulting in a solidly accomplished read that is accessible and not too spooky/disturbing for most readers. Clocking in at around 160 pages, What Moves the Dead is an easy to read novella that’s self-contained and straightforward. However unlike the original story that leaves a lot open to interpretation, T. Kingfisher attempts to fill-in and answer a lot of the unknown factors that Poe never explicitly addressed. A common point of criticism about most horror mansion/estate tales is questioning why the narrator doesn’t leave once they begin to encounter unsettling experiences. She addresses this by…

Richard Osman’s series has already been heavily read and reviewed so I won’t be quite as detailed as I usually do since the major points of discussion have already been covered. Despite what the genre and synopsis of the book may imply, The Thursday Murder is as much of a senior citizen themed character drama as it is a murder mystery novel and therefore one must adjust their expectations to its crossover intentions. If reading and reviewing this novel purely as a murder mystery investigation procedural story, The Thursday Murder Club is generally an above average, light-hearted affair that’s quite cozy and easy to pick up (although also just as easy to put down and leave down as it’s a bit slow in places). Taken at face value, the murders reveals and movements are mostly functional, albeit slightly convoluted with certain plot developments coming a bit out of left field. I found it to be fine personally, but too ambitious and twisty for its conclusion to pull the whole case back together. However, The Thursday Murder Club’s strongest element in my opinion is the moments where Osman focuses on the lowkey laughs and allows its senior characters to reflect on…