Genre: Historical Fiction

A heist set for a mysterious magical book, a power struggle between state and church, a tense reunion between ex-partners, and legendary beings trapped and abandoned by the God of Thieves, Ruth Frances Long’s The Book of Gold has a lot of interesting concepts to say the least. The start of the Feral Gods trilogy, this book has a lot of narrative content fitted into a sub three-hundred-and-fifty-page book that is part fantasy, part 16th century historical fiction adventure. Though the story has a variety of plotlines that lay the groundwork for the series to expand on, at its core it’s a tense and strained second-chance romance between individuals standing on different sides of the law and state, all in pursuit of otherworldly power. Action and relationship oriented, the Book of Gold is a competently crafted book that despite a sense of mismanaged focus, is still a fun and light entertaining fantasy read. At first glance, the Book of Gold appears to be a simplistic rogue x knight trope applied to a fantasy heist storyline. The book has all the elements one would expect such as an unorthodox assembled ragtag heist team, economic disparity between the nobility and the common…

While historical Regency romance isn’t usually my thing, Jane Austen inspired time-traveling isekai fanfiction is a hyper-specific concept that I love. The BBC’s miniseries Lost in Austen is one of my favorite hidden gem series and when I saw the premise for The Austen Affair, I had high hopes that this book would be able to work similar magic. Fortunately, Madeline Bell’s debut novel did just that all while doing its own thing despite loose similarities and ideas. Over-the-top and laugh out loud funny, this book is an unapologetic love letter to Regency romance readers and Jane Austen fans. While the romance and character writing isn’t quite as strong as its comedic punches, this is a really fun, light-hearted guilty pleasure kind of read meant to entertain. I will openly admit that I’m not fond of Regency, or really any similar period romance novels despite understanding their popularity and appeal. However, having read Pride and Prejudice as a rare classic literature required read in high school that I didn’t hate, I have a soft spot for Jane Austen-related content. And one of my favorite Austen-related spinoff projects was BBC’s mini-series Lost in Austen that at the time, felt like an…

This review is based on a complimentary Advanced Reader Copy provided by Atria Books via Netgalley. A romance story across time mixed with traces of speculative fiction and fantasy, Amy Tordoff’s debut novel All We Have Is Time is an accessible story filled with interesting historical fiction snapshots spread over the course of four hundred years. Time-travelers and immortal beings are two common elements separately, but this book’s unorthodox cross of the two gives it a unique spin and for its characters, different repercussions from its genre’s norm. Easy to follow and generally fast-paced in nature, All We Have Is Time is a safe pick for historical romance readers, though those looking for a strong speculative fiction storyline or deeper introspective character work may find this book underwhelming and bland. Marketed for fans of The Invisible Life of Addie LaRue, at first glance All We Have Is Time appears to fly too close to the sun with what is clearly one of its inspirations and at risk of being highly derivative. Both books feature a withdrawn female protagonist cursed by a fantasy being with immortality and walking through history a shadow of a person. Both books also feature a tragic…

This review is based on a complimentary Advanced Reader Copy provided by Saturday Books, an imprint of St. Martin’s Press via Netgalley. A fantasy-inspired historical fiction story based around one of Florence’s most tumultuous periods in the 15th century, Isabel Ibañez’s debut adult novel Graceless Heart is a romantasy book full of interesting ideas. It features a resilient and independent female main character in a patriarchal dominated era marked by a political power struggle as well as the flourishing of the arts. Beautifully written and full of Italian flavor, the book’s great potential is unfortunately hindered by its uncertain commitment to what it wants to be and inconsistent pacing. I struggled to stay invested in the somewhat sparse story for most of the read before it devolves into a haphazard third act. Cleverly set within one of the Republic of Florence’s most colorful historical periods, Graceless Heart’s biggest asset and noteworthy element is its homage to the Italian setting and the excitement of the Renaissance era that runs throughout the course of the book. From snippets of Italian phrases to its vibrantly described visuals, from the get-go, the book feels distinctive amongst the numerous romantasy/fantasy romance novels constantly being pushed out.…

Part Grimm fairytale retelling, part historical fiction, and finally part original fantasy story revolving around witchcraft, Kell Woods’s debut novel After the Forest is an expansive dark fantasy book with an ambitious narrative to tell. Rather than directly retelling its source material, After the Forest instead follows the difficult life of Greta following her and her brother’s experiences trapped by a witch and her gingerbread house. A tense story filled with distrust and suspicions in a rural village, contrary to its classification as a retelling, Woods’s story is largely an original one that merely uses Hansel and Gretel’s fairytale for contextual framework. Creatively constructed with fitting prose, this book was a case of expecting one thing and getting something entirely different that wasn’t for me but was nonetheless an intriguing read outside of its frequent issues of pacing and unfocused plot. Books classified as retellings tend to follow one of two different scenarios that largely determine how the story will be read. The traditional form of retelling is one that mostly retells the original story with a unique spin, modernization, genre-swap, or similar. The other form uses the base story as a launching point for framework purposes only and uses…